The shocking dimensions of China’s repression in the Xinjiang Uighur Autonomous Region are now beyond dispute. In early 2017, after spending years perfecting a high-tech surveillance regime in its only Muslim-majority region, the Chinese state began a program of mass internment that has seen the disappearance without trial of at least a million Uighurs, Kazakhs, and other Muslim citizens into a vast network of internment camps and prisons. Many camp inmates have been compelled to work in factories, and the fruits of their forced labor have increasingly shown up in the supply chains of multinational corporations like Kraft Heinz and Adidas.
In addition to repressing Uighurs through imprisonment and sterilization, the Xinjiang authorities have mounted a sustained assault on Uighur culture and identity. This has included the destruction of graveyards and religious sites, the elimination of Uighur-language education, and the widespread banning of Uighur books. The mass detentions have targeted cultural figures—writers, poets, intellectuals, musicians—with special ferocity, sometimes accompanied by public denunciation campaigns.
— Read on www.nybooks.com/daily/2020/08/13/uighur-poets-on-repression-and-exile/